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Can’t wait to get my teeth [eyes] deep into this one again.McDermid is an old favorite. I especially love her Tony Hill series.

This one, if I remember correctly, was surprisingly good.Let’s see what PI Kate Brannigan gets up to. Will post a review when I’m done, so watch this space.

Read on constant readers and, South Africans, STAY SAFE AND STAY WARM! It’s freezing out there.

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People never understand my way of reading. I always have at least three books on my nightstand and I read them in tandem. The choice depends on my mood of the moment.

This week I’m reading, or rather, re-reading Stephen King’s ‘Needful Things’ and ’11-22-63′. I also downloaded Blake Pierce’s ‘Next Door’ on my Kindle.

When I started this blog all those years ago I thought I’d include some book reviews. I did at first, but as it turns out, I couldn’t keep up with my own reading!

I do think it is important to share views on books for those who may be interested and looking for a fresh page turner. Therefore I will try and post reviews whenever I’m done with a book.

Who knows? Maybe some big mega-bookstore will notice me and ask me to read and review new publications. What a wonderful way that will be to feed my book addiction. One can dream, yes?

In the meantime you can look me up on Goodreads or find me on IG, FB or Twitter.

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Img source: @rivercaseybooks on Instagram

I thought this was hilarious! If books had feelings, eh? Well, who says they don’t?!

How do you feel about books made into movies?? I don’t have anything against it, as long as the scriptwriters stay true to the book. Very often they don’t, though, they mangle the story so much that , to the reader, it becomes unrecognisable.

I must say, I recently saw such a ‘mangling’ and it was actually brilliant. Have you watched ‘The Haunting of Hill House’ on Netflix yet? You should. It is FANTASTIC!

Img source: vargiskhan.com

There are similarities to Shirley Jackson’s book, a lot if it, in fact, but it is a completely different story. I’ve the ‘The Haunting’ back in 1999, remember the one with Liam Neeson and Catherine Zeta Jones? Plus, I’ve read the book. ‘The Haunting’ was the book in pictures, but this new miniseries, WOW, it is absolutely fantastic.

If you haven’t watched it yet, please do. You will be pleasantly surprised, I guarantee it.

Visit Netflix today! Click here.

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Via Mary Balogh on Facebook.

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@StephenKing @CLUBStephenKing #Horror #Books  #ConstantReader

Via Every Stephen King Novel Summarized in 140 Characters or Less | LitReactor.

Sharon sez: Just HAD to share this….read it, its BRILLIANT!!!

Image via Onward Cyclops

Stephen King introduced me to horror. He got me addicted to reading. I try to devour anything he writes, and most of the time, I am not left disappointed. He is my favorite writer, so obviously I felt compelled to summarize every one of his books using the character limits of Twitter. And before you say anything, don’t worry: Steve and I were recently published together in the same anthology, so now we’re BFFs.

And yes, I realize someday I will have to explain to my grandchildren why I spent an entire Sunday writing this article. I’ll worry about that when the time comes. Until then…


Carrie (1974)
The tale of a brave girl with telekinesis taking the ice water challenge during prom.

‘Salem’s Lot (1975)
A writer fights vampires.

The Shining (1977)
A writer fights his family.

Rage (1977)
Breakfast Club, but with guns.

The Stand (1978)
An overly long advertisement for Kleenex.

The Long Walk (1979)
A cautionary tale against blue balls.

The Dead Zone (1979)
Man wakes up from a coma and decides to assassinate a political figure for killing a dog.

Firestarter (1980)
A 426 page lesson about why children shouldn’t play with fire.

Roadwork (1981)
Construction workers are assholes.

Cujo (1981)
Dogs are assholes.

The Running Man (1982)
Television producers are assholes.

The Dark Tower: The Gunslinger (1982)
Clint Eastwood chases Johnny Cash.

Christine (1983)
Boy meets car, car and boy fall in love…

Pet Sematary (1983)
*cemetery

Cycle of the Werewolf (1983)
Werewolves are assholes.

The Talisman (1984)
A boy and his wolf hitchhike through worlds. Nothing snarky here. I love this book so much.

Thinner (1984)
Fat people deserve to die.

It (1986)
Small town kids join together to battle evil and then celebrate by having a sewer orgy.

The Eyes of the Dragon (1987)
The book that inspired HBO’s Game of Thrones.

The Dark Tower II: The Drawing of the Three (1987)
Clint Eastwood rescues Jesse Pinkman.

Misery (1987)
A writer fights his #1 fan.

The Tommyknockers (1987)
A writer fights aliens.

The Dark Half (1989)
A writer fights his pseudonym.

The Dark Tower III: The Waste Lands (1991)
Clint Eastwood and Jesse Pinkman adopt a raccoon.

Needful Things (1991)
Materialism is evil.

Gerald’s Game (1992)
50 Shades of S.K.

Dolores Claiborne (1992)
Husbands are assholes.

Insomnia (1994)
The book that everyone always says “cured their insomnia” but in reality is actually quite good.

Rose Madder (1995)
Haha, I don’t think anybody knows what this one was about.

The Green Mile (1996)
Jesus Christ heals a prison guard’s urinary tract infection.

Desperation (1996)
Fuck the police.

The Regulators (1996)
My brother spoiled the ending of this novel when I first started it. I’ll never forgive you, Jeremy.

The Dark Tower IV: Wizard and Glass (1997)
Clint Eastwood falls in love.

Fear Nothing (1998)
A man and his dog challenge the sun to a dance-off.

Bag of Bones (1998)
A writer fights his ghosts.

The Girl Who Loved Tom Gordon (1999)
In a shocking turn of events, a nine year-old girl joins the Boston Red Sox.

Hearts in Atlantis (1999)
People with bad fashion sense are out to kill you.

On Writing (2000)
A writer fights writer’s block.

The Plant (2000)
A writer sends a manuscr—

Dreamcatcher (2001)
Four friends battle a shit-weasel.

Black House (2001)
The story of a man who eats children and generally pisses everybody off.

From a Buick 8 (2002)
Christine 2

The Dark Tower V: Wolves of the Calla (2003)
Clint Eastwood becomes a Jedi and plays Quidditch.

Odd Thomas (2003)
The story of what happened to Haley Joel Osment’s character in The Sixth Sense once he grew up.

The Dark Tower VI: Song of Susannah (2004)
Clint Eastwood and Jesse Pinkman break the fourth wall.

The Dark Tower VII: The Dark Tower (2004)
Clint Eastwood climbs a tower and pisses a lot of people off.

The Colorado Kid (2005)
Cold case files are assholes.

Cell (2006)
Cellphones are assholes.

Lisey’s Story (2006)
A writer’s widow fights her demons.

Blaze (2007)
A man and a baby go on wild adventures together.

Duma Key (2008)
writer painter fights depression.

Ur (2009)
*you’re

Throttle (2009)
Truck drivers are assholes.

Under the Dome (2009)
After Homer accidentally pollutes the town’s water supply, Springfield is encased in a gigantic dome by the EPA.

Blockade Billy (2010)
Baseball players are assholes.

Mile 81 (2011)
Christine 3

11/22/63 (2011)
A man travels through time and punches Lee Harvey Oswald in the face.

The Dark Tower: The Wind Through the Keyhole (2012)
Clint Eastwood tells a story.

Joyland (2013)
The story of a young boy with psychic abilities, a concept never before included in any other King novel.

Doctor Sleep (2013)
A writer’s son fights alcoholism.

Mr. Mercedes (2014)
An ex-cop comes out of retirement to hunt a crazy killer while declaring he is, in fact, getting too old for this shit.

Revival (2014)
The story of a preacher who challenges God to a duel.

Finders Keepers (2015)
Christine 4


And now, to close this column, I’ll attempt to do the same for my own novel, which was just released earlier this week:

The Mind is a Razorblade (2014)
The story of a man who kills anybody who attempts to steal his funny bunny slippers, written by the sexiest, smartest author in the universe.

Read more and order some books here.

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@StephenKing #Revival

Via Stephen King’s Revival – exclusive book cover reveal | Books | theguardian.com.

Sharon reckons: Not only is he the King of Horror….he knows JUST how to keep his number one fan on her toes!!! […that would be me – sans ax…]

Help the master of horror to unveil the jacket for his latest novel

Stephen King.  AFP PHOTO /  Getty Images
Revivalist … Stephen King. AFP PHOTO / Getty Images

What is the mysterious image in the picture? Is it a tortured face or a demon from the dark side? All will be revealed as fans of Stephen King help to fill in the details of the cover for his latest novel.

Help to unlock the hidden image by clicking here

Revival, out on November 11 from Hodder & Stoughton, is the 58th novel by King, who shows no sign of letting up as he approaches his 67th birthday. It will be the second book he has published this year alone, and marks a return to his horror heartland after his excursion into hard-boiled fiction in June with Mr Mercedes.

The cover will be revealed segment by segment today on a Facebook app hosted on King’s Facebook page, with each square unlocked when enough likes, comments and shares have been generated. Once the entire cover is uncovered, it will become interactive, enabling fans to discover extra clues about its creepy content.

Revival is set in a small New England town where, in the early 60s, a small boy falls under the spell of a charismatic minister. Decades later, the two meet up again and strike up a relationship which takes them on a devilish trip through rock and roll, addiction, religion and stage conjury.

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@BuzzFeed @StephenKing @ClubSTEPHENKING @goodreads #Books #Television #Entertainment

Via Stephen King Isn’t Afraid Of The Big Bad Adaptation.

The prolific and frequently adapted writer has written an episode of CBS’ Under the Dome, but the series still diverges greatly from his original novel. As far as King is concerned, that’s part of the thrill of adaptation

Stephen King on location in North Carolina during the filming of the second season of Under the Dome. CBS

While you might be tempted to associate Stephen King with his homicidal creations — telekinetic Carrie White, rabid Cujo, shapeshifting Pennywise the Clown — the monster he most identifies with isn’t one of his own.

“I’m kind of like the shark in Jaws,” he told BuzzFeed in March, speaking from North Carolina, where filming for the second season of CBS’ Under the Dome was underway. “I have to keep moving ahead and eating to live.”

Under the Dome, based on King’s epic novel of the same name, is set in the small town of Chester’s Mill, which becomes inexplicably trapped under a massive, indestructible dome. King wrote the second season premiere, which airs June 30, and had input into the series’ next 13-episode arc.

At 66, King is no stranger to adaptation: His novels have gotten the big-screen treatment time and again over the past several decades, from classics like 1976’sCarrie and 1980’s The Shining to more modern fare like 2007’s The Mist and the 2013 adaptation of Carrie. A film adaptation of King’s novel Cell, with a screenplay co-written by King, is due next year, and there is talk of new versions of It and The Stand, both of which already had TV miniseries adaptations.

But Under the Dome presents a unique challenge to King, who is more directly involved with the production than he has been with most other adaptations of his work. The way he explained it, that’s a mixed blessing.

“It’s a responsibility to be directly involved,” King said. “I sometimes tell people that the ideal situation is, if the thing is a success you can say, ‘It’s based on my work.’ If the thing is not a success, you can say, ‘Well, I didn’t have anything to do with it.’ You’re in great shape either way. But once you’re involved, you’re putting some of your own ego and some of your own track record, if you will, on the line.”

Dean Norris as “Big Jim” Rennie on Under the DomeCBS

Fortunately, King has been pleased with the direction Under the Dome has taken as it heads into its second season. Season 1 saw the residents of Chester’s Mill struggling to survive life under the dome, as the crisis gave way to looting, shifting power dynamics, and panicked people indulging in their baser urges. That’s all in line with the novel, but in terms of pacing and plotting the show has already diverged significantly from the source material, in part by necessity: King’s novel is finite, while CBS’ “event series” will continue to stretch its plot, ideally, over many seasons.

When he was approached about an adaptation, the idea of expanding Under the Dome was an attractive one to King, who revealed that his novel ended up being more condensed than he’d initially intended.

“When I was writing Under the Dome, my feeling was that it would stretch out over a period of months or even a year, and you would see a kind of reflection of what goes on in the world as resources run out and pollution increases and overpopulation becomes a problem,” he said. “All the problems in our daily life, I would reflect in Chester’s Mill over a period of time. But the book took over, and it ended up being three or four weeks.”

The idea that the novel could have been even more expansive may come as a surprise to readers who made it through Under the Dome’s daunting 1,000-plus pages.

“I know it’s a very long novel,” King continued, “but it covers a very short time. So when they came to me with the TV show and said, ‘We want, if the show’s a success, to cover months and years,’ I thought, Oh man, this is what I wanted to do in the first place!

CBS

While some authors cringe at having their work modified by others, King is not overly concerned with how these adaptations transform his source material. He likens the experience to getting that unattainable do-over in life — if you could go back in time, what would you change?

To be fair, King can always revise his work, but he describes himself as a “seat-of-the-pants guy” who rarely looks back. His writing process is “a little bit like putting on a pair of roller skates and grabbing the back of a truck and seeing how far across the city you can go.” With a series like Under the Dome, King gets to watch as the characters he created change course.

“When [executive producers] Neal Baer and Brian Vaughan said, ‘We want to take this in some different directions,’ I thought to myself, This is cool,” King said. “In a way, I’ll get a chance to see all the different things I could have done if I’d just taken another road. Because in another way, writing a book or writing a story is like being in a room that has a lot of doors. I chose one to go through, but you only get one choice when you’re writing a novel. So this is getting a chance to go back.”

That’s not to say that King is always thrilled with how these adaptations turn out: If he worried too much about that, he believes he’d lose his mind. Part of the process of adaptation is giving your work over to someone else and hoping for the best, all while accepting that the finished product might scarcely resemble what you had in mind in the first place.

In the past, King has been guided by his familiarity with the writers and filmmakers helming the adaptations. But even those instincts aren’t entirely reliable, and sometimes the adaptations he’s most excited about end up being disappointing.

“When I got that call from my publisher saying, Stanley Kubrick is interested in making a version of [The Shining], there’s no way anyone would say no to anything like that. I was very excited that he was gonna do it with an A-list cast, and I was very curious to see what he would come out with,” King recalled. “And I never hated it. I just didn’t think that it was successful. It seemed cold and it didn’t have a lot of emotional resonance.”

Ron Howard’s adaptation of The Dark Tower series, which begins with The Gunslinger, has stalled indefinitely, and Cary Fukunaga’s adaptation of It is still up in the air. The adaptation of Cell, however, has wrapped filming.

As an author as frequently adapted as King will tell you, so much of the process is out of your hands. The experience King has had on Under the Dome is not unprecedented — it mirrors George R.R. Martin writing on HBO’s Game of Thrones, adapted from his A Song of Ice and Fire book series — but it’s still a rarity.

Not being involved past selling the rights means King is often equally in the dark when it comes to stalled productions, like the long-awaited adaptation of his fantasy series The Dark Tower.

“I was very excited when Ron Howard got involved with that project,” King said. “His original take on it was the best. He wanted to do the movies — three tentpole movies — interspersed with a number of TV series that covered Roland and his adventures as a young man. It was a brilliant concept, and I’m pretty sure it would have worked. [But] what sometimes happens in Hollywood and in filmmaking is, the financing fell apart, or the studio started to have second thoughts.”

When asked about the potential remake of It, directed and co-written by Cary Fukunaga (True Detective), King answered, “You know as much as I do.” In sum: not much.

There are, of course, upcoming adaptations that King can speak to. Now that Cell, adapted from King’s zombie novel, has wrapped, he teased what he could about the film.

“The movie is not totally close to the original screenplay that I wrote,” he said. “But I’ll tell you what, the end of it is so goddamn dark and scary. It’s really kind of a benchmark there.”

For now, however, King’s focus remains mostly on writing: His recent output speaks to his shark-like mentality when it comes to work. The Shining sequel,Doctor Sleep, was released last September, and this year King fans have two new novels to read — Mr. Mercedes, which was released earlier this month, andRevival, which is due in November. A sequel to Mr. MercedesFinders Keepers, will hit stands next year.

As it turns out, King retains the power not only to scare his readers, but also himself. He was cagey about Revival, noting ominously that, “It’s too scary. I don’t even want to think about that book anymore.” When pressed, he continued, “It’s a nasty, dark piece of work. That’s all I can tell you.”

And then, of course, there’s King’s continued contribution to Under the Dome, which has put him in the unique position of having a voice in the room while also letting other writers do much of the heavy lifting. The result is an adaptation that’s thematically close to the novel he wrote, but that also has the ability to surprise him.

The push-and-pull of his involvement, especially with so much else on his plate, remains a challenge for King. But he wouldn’t have it any other way.

“If you’re not still challenging yourself,” King said, “you might as well retire and go away.”

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